Schoeps CMC6 MkII (stereo pair)

• Omni-directional small diaphragm condenser, transformerless.

• Exceptionally accurate and robust sound from 20 Hz - 28 kHz.

• Ideal for acoustic music in lively spaces.

Coles 4038 (stereo pair)

• Figure-8 ribbon.

• Smooth and rich sonic detail.

• Ideal for solo/ensemble spot mics and room mics.

• (Not owned by Enharmonic Records but we have free access to these mics)

Neuman KM184 (stereo pair)

• Cardiod small diaphragm condenser, transformerless.

• Open and musical sound from 20 Hz - 20 kHz.

• Ideal for solo/ensemble spot mics and drumset overheads.

Audio Technica AT4041 (two stereo pairs)

• Cardiod small diaphragm condenser, transformerless.

• Neutral and precise sound from 20 Hz - 20 kHz.

• Ideal for solo/ensemble spot mics and drumset overheads.

Neuman Gefell M582 & M582h (two stereo pairs)

• M94 capsule: cardiod small diaphragm tube.

• M58 & M93 capsules: omni-directional small diaphragm tube.

• Warm and sweet vintage sound.

• Ideal for solo/ensemble spot mics and drumset overheads.

• (Not owned by Enharmonic Records but we have free access to these mics)

Neuman U87A

• Cardiod large diaphragm condenser.

• Timeless and refined sound from 20 Hz - 20 kHz.

• Ideal for vocals and solo instruments.

• (Not owned by Enharmonic Records but we have free access to this mic)

Blue Dragonfly

• Cardiod large diaphragm condenser, transformerless.

• Robust and pristine sound from 20 Hz - 20 kHz.

• Ideal for vocals and solo instruments.

• (Not owned by Enharmonic Records but we have free access to this mic)

Audio Technica AT4060

• Cardiod large diaphragm tube.

• Smooth and warm vintage sound.

• Ideal for vocals and solo instruments.

• (Not owned by Enharmonic Records, but we possess free access to this mic)

Neuman KMR 81 i

• Shotgun small diaphragm condenser.

• Long range and accurate sound from 20 Hz - 20 kHz.

• Ideal for voice overs and recording from a distance.

• (Not owned by Enharmonic Records but we have free access to this mic)

Shure Unidyne III SM56 (vintage)

• Cardiod small diaphragm dynamic from the 1970s with a shock-mounted base and larger transformer than the SM57.

• Fervid and bright sound for high sound-pressure sources.

• Ideal for drums, guitar amps, and vintage vocals.

Shure SM57 (vintage)

• Cardiod small diaphragm dynamic from the 1980s.

• Fervid and contoured sound for high sound-pressure sources.

• Ideal for drums and guitar amps.

Shure SM57 (modern x3)

• Cardiod small diaphragm dynamic.

• Bright and contoured sound for high sound-pressure sources.

• Ideal for drums and guitar amps.

Shure BETA 52A

• Cardiod large diaphragm dynamic.

• Aggressive and big sound for high sound-pressure sources.

• Ideal for kick drums, acoustic bass, and bass amps.

AKG D112

• Cardiod large diaphragm dynamic.

• Flexible and big sound for high sound-pressure sources.

• Ideal for kick drums, acoustic bass, and bass amps.

Millennia HV-3D

• Frequency Response:

  • 8 channels of the most accurate, invisible, and neutral sonic performance from sub 8 Hz to beyond 300 kHz.

• High Voltage:

  • Almost double the voltage (50v) than most other preamps provides extremely high headroom.

• Truly Balanced Circuit:

  • XLR pins 2 & 3 each have their own mirror-matched amplifiers while most other preamps unbalance the mic to amplify it.

• Transformerless:

  • Ultra clean low frequencies and massive dynamic range.

• High Gain:

  • Can drive a mic cable up to a 1/4 mile distance while retaining timbre and open transparency.

Focusrite Red8Pre

• Frequency Response:

  • 8 channels of clear and honest sonic performance from 20 Hz to 35 kHz.

• Red Evolution:

  • Gain is digitally-controlled for precise operation.

• Transformerless:

  • Ultra clean low frequencies and massive dynamic range.

• Air Mode:

  • Vintage mode/transformer emulator.

  • 2dB boost at 10kHz and -2dB at 20Hz.

  • Input impedance drop from 6.2kΩ to 2.2kΩ.

Apogee AD-16X

• Sample Rates:

  • 16 channels of premium 24-bit AD conversion.

  • Sample rates up to 192k.

• Clocking:

  • Direct Digital Synthesis using Big Ben’s C777 Clock Technology up to 192kHz.

  • Adaptive Loop Filtering for optimum clock performance and minimum jitter

• Frequency Response:

  • Revered studio sound from 5 Hz to 20 kHz.

Focusrite Red8Pre

• Sample Rates:

  • 16 channels up to 192 kHz at 24 bit.

• Clocking:

  • “Parallel path summing" achieves even greater noise-performance than ever.

  • Accepts wordclock from Apogee AD-16X.

• Frequency Response:

  • Flat response up to 35 kHz.

TL Audio C-5021 Ivory Series

• Compression:

  • Clean and transparent with steady levels.

  • Warm and velvety analog vibe.

• Valves:

  • 12AX7A/ECC83 twin‑triode.

  • Predominately second harmonic distortion.

• Frequency Response:

  • 10 Hz to 20 kHz.

• (Not owned by Enharmonic Records but we have free access to this unit)

Bellari RP282

• Compression:

  • Aggressive and gritty transient shaper.

  • Warm and lively analog vibe.

• Valves:

  • Rolls 7025.

• Frequency Response:

  • 10 Hz to 40 kHz.

Digital Audio Workstations

• Avid Pro Tools

• Magix Sequoia

• Ableton Live

Plugin Collections

• Audio Ease Altiverb 7

• Black Rooster Audio

• Bogren Digital

• Eiosis

• Kazrog

• Native Instruments

• Plugin Alliance

• Soundtoys

• Steven Slate

• Waves

• Youlean

Millennia TCL-2

• Twin Topology Two-Channel Compressor/Limiter:

  • Choice of tube or J-FET optical compression

    • All triode 300 V vacuum tube signal path or

    • All discrete J-FET solid state signal path

  • Both topologies are entirely transformer-less, high voltage, and pure Class A

  • Extremely clean and transparent with optional vintage vibe

• Circuitry:

  • Minimalist design: only one active stage in the audio path

  • Extremely low noise: -106 dBu

  • Gold relays, connectors, switches, tube sockets

  • Silver Teflon power wiring, Mogami Neglex OFC audio wiring

• Frequency Response:

  • Sub 5 Hz to 100 kHz.

• (Not owned by Enharmonic Records but we have free access to this unit)

Millennia NSEQ-2

• Twin Topology Two-Channel Parametric EQ:

  • Choice of tube or J-FET parametric stereo EQ

    • All triode 300 V vacuum tube signal path or

    • All discrete J-FET solid state signal path

  • Both topologies are entirely transformer-less, high voltage, and pure Class A

  • Extremely clean and transparent with optional vintage vibe

• Circuitry:

  • Minimalist design: only one active stage in the audio path

  • Extremely low noise: -106 dBu

  • Gold relays, connectors, switches, tube sockets

  • Silver Teflon power wiring, Mogami Neglex OFC audio wiring

• Frequency Response:

  • Sub 2 Hz to 300 kHz.

  • Four bands: 20 Hz to 20 kHz center frequency, 0.4 to 4.0 Q

• (Not owned by Enharmonic Records but we have free access to this unit)

Guitars:

• Schecter Damien-Elite 7 guitar

  • Finish: Metallic Black

  • 7-string

  • Mahogany Body

  • Bolt-on Maple Neck

  • Rosewood Fingerboard

  • 24X Jumbo Frets

  • Abalone Gothic Crosses Inlays with Stained Cross at 12th Fret

  • Multi-ply Bindings

  • Grover Tuners

  • EMG Active 81/85 Pickups

  • Volume/Tone/3-way Switch

  • TOM Thru-body Bridge

  • 25.5" Scale

  • Black Chrome Hardware

• Schecter Stiletto Elite 5 bass guitar

  • Color: See-Thru Cherry

  • Construction: Neck-thru with Ultra Access heel

  • Body: Mahogany with quilted maple wings

  • Neck: Multi-laminate maple and walnut

  • Finger Board: Rosewood

  • Frets: 24 jumbo

  • Inlay: Dots

  • Bindings: Creme

  • Tuners: Schecter Bass

  • Pickups: EMG-40HZ

  • Electronics: Master Vol/Master Blend/EMG Active 2 band EQ

  • Bridge: Schecter Custom (string-thru body)

  • Scale: 35" string-thru

  • Hardware: Black Chrome

• Gibson Epiphone PR775-CE

  • 1990’s.

  • (Not owned by Enharmonic Records but we have free access to this instrument)

Pedals:

• Horizon Devices Precision Drive

  • Gate.

  • Gain.

  • Hi EQ.

  • Compressor.

  • Overdrive.

• Morley Power Wah PWO

  • 1970’s optical Wah-Wah.

• DOD Distortion FX55

  • 1980’s distortion.

• Boss OC-2 Octave

  • Octave effect.

Bass Amps:

• Gallien-Krueger 1001RB Mark-II

  • 700-Watt RMS bass head.

  • 4-string & 5-string voicing filters.

  • Contour, Presence, and 4-Band EQ.

  • Valve effect adds growl with even-order harmonic distortion.

  • DI Output.

• Kustom Bass Amp KBA16

  • 16-Watt RMS combo amp

  • 8-Inch Celestion™ Bass Speaker

  • EQ: 4-Band Active

  • Built-in Limiter

  • CD/Tape & Headphone Jacks

  • Sealed Back Cabinet

Guitar Amp/Cab Emulators:

• Kazrog AmpCraft 1992

  • Peavey 5150 block letter

• Brainworx Suhr PT100

  • Marshall modern mod 3-channel

• Audio Assault Berry Amp

  • Charles Caswell (Berried Alive) signature amps collection

• Bogren Digital Impulse Responses

  • Jens Bogren Signature: Rhythm

  • Jens Bogren Signature: Lead + Clean

  • Rhythm - Downtuned

  • Kristian Kohle: Rainbows and Chainsaws

  • Tue Madsen

  • Mahler Granite Cab

Bogren Digital Krimh Drums for Kontakt Player

• Kicks

  • Main: Tama Star 22'' x 18''

  • Secondary: Tama Star 22'' x 18''

    • Plastic beater, felt beater, and old head samples available

• Snares

  • Tama Kenny Aronoff Signature 14 x 6.5'' (Brass, black beauty)

  • Pearl UltraCast 14 x 6.5'' (Aluminum)

    • Articulations: main hit, off center, flam, no wires, sidestick

• Toms

  • Tama Star 10'' x 8''

  • Tama Star 12'' x 8''

  • Tama Star 14'' x 14''

  • Tama Star 16'' x 14''

  • Tama Star 18'' x 16''

    • Clear and coated head samples available.

• Cymbals

  • Meinl 18'' Byzance Traditional Medium Thin Crash

  • Meinl 18'' Pure Alloy China

  • Meinl 14'' Byzance Traditional Medium Hi-Hat

  • Meinl 17'' Byzance Brilliant Medium Thin Crash

  • Meinl 8'' Byzance Brilliant Splash

  • Meinl 10'' Byzance Brilliant Splash

  • Meinl 19'' Byzance Brilliant Medium Thin Crash

  • Meinl 14'' Mb20 Heavy Soundwave Hi-Hat

  • Meinl 18'' Classics Custom China

  • Meinl 18'' Classics Extreme China

  • Meinl 20'' MB8 Heavy Ride

  • Meinl 20'' Byzance Medium Traditional Crash

Trigger 2 by Steven Slate Drums

• Industry-standard drum replacement

• Trigger drum sample library

Expansion Libraries for Trigger 2

• Bogren Digital:

  • Jens Bogren Signature Drum Samples library

  • Krimh Drums sample library

Sony FDR AX100

• 4K 30 FPS

• Archival quality

• Seven (7) units available

Canon EOS C200

• 4K 60 FPS

• Film quality

• (Not owned by Enharmonic Records but we have free access to this camera)

Workstation

• Intel® Core™ i9-12900K

• ASUS TUF RTX 3080 Ti GAMING OC 12GB

• Gigabyte Z690 AORUS Master

• G.Skill Trident Z5 RGB 32GB (2 x 16GB) DDR5-6000 PC5-48000 CL36

• NVMe M.2 PCIe4

• Monitors:

  • LG ULTRAGEAR+

  • ASUS VG289Q

• Case components:

  • Lian Li Lancool II Mesh, Lian Li Galahad 360 AIO, EVGA 850w Gold 80+, Be Quiet & Noctua PWM fans

Software

• Adobe Creative Cloud

  • Premiere Pro

  • Adobe After Effects

  • Adobe Photoshop

• Streaming

  • Livestream Studio

  • Streamlabs OBS

• Platforms

  • YouTube/Twitch/Facebook

  • Your own platform or website embed

Green Screen 8x16’

• Botero #026 Super Collapsible Background

• (Not owned by Enharmonic Records but we have free access to this screen)